Raphael
Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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Raphael Portrait of Tommaso Inghirami oil painting


Portrait of Tommaso Inghirami
mk65 Oil on panel 35 1/4x24 1/2in Pitti,
Painting ID::  29034
Raphael
Portrait of Tommaso Inghirami
mk65 Oil on panel 35 1/4x24 1/2in Pitti,
   
   
     

Raphael Madonna of the Cloth oil painting


Madonna of the Cloth
mk65 Oil on panel 63x50in Pitti,Palatine Gallery
Painting ID::  29035
Raphael
Madonna of the Cloth
mk65 Oil on panel 63x50in Pitti,Palatine Gallery
   
   
     

Raphael Self-Portrait oil painting


Self-Portrait
mk67 Panel 15 5/8x13 11/16in Uffizi,Gallery
Painting ID::  30047
Raphael
Self-Portrait
mk67 Panel 15 5/8x13 11/16in Uffizi,Gallery
   
   
     

Raphael The Deliverance of Saint Peter from Prison oil painting


The Deliverance of Saint Peter from Prison
mk68 Fresco.widthat Base Vatican Stanza di Eliodoro 1512-1514 Italy
Painting ID::  30464
Raphael
The Deliverance of Saint Peter from Prison
mk68 Fresco.widthat Base Vatican Stanza di Eliodoro 1512-1514 Italy
   
   
     

Raphael Details of School of Athens oil painting


Details of School of Athens
mk68 1510-1512
Painting ID::  30466
Raphael
Details of School of Athens
mk68 1510-1512
   
   
     

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     Raphael
     Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.

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